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Showing posts with label tweets. Show all posts
Showing posts with label tweets. Show all posts

Saturday, October 31, 2009

Chicago Happy Hour and Tweetup - Monday Evening, November 2, 2009

If you're in Chicago on Monday, November 2, 2009, you're invited to a happy hour / tweetup for friends from this summer's Business Marketing Association conference and other great folks in the Chicago marketing and social media community.

It will be a casual opportunity to renew friendships and meet new people! Feel free to invite others as well!

Place: Frankie's Scaloppine & Pizzeria

Location:
900 N Michigan, 5th Floor (Directions Link)
Chicago, IL 60611
312-266-2500

Starting Time: 5:45 p.m., Monday, November 2, 2009

Twitter Hashtag: #bztweetup

If you have questions, email me at brainzooming@gmail.com

Looking forward to seeing you all there!

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Tuesday, October 13, 2009

Taking Note in a New Way

Want to meet cool new people? Next time you're at a public presentation, "live tweet" it. Live tweeting implies using Twitter to report:

  • What the speaker is communicating
  • Offering your own commentary
  • Retweeting what others are tweeting about it

I live tweeted the Integrated Marketing Summit last week in Kansas City to further experiment with the process. Based on my tweets from a direct database marketing session, Doug Haslam switched breakouts and joined the session. This created the opportunity to chat, and after attending his session on PR and social media, later talk at the networking reception.

I wouldn't have necessarily gone up and talked with someone new (ah, the curse of an introvert), but live tweeting opened the door to connect and meet a new, really smart person at the forefront of social media.

Beyond the in-person opportunity, live tweeting often opens the opportunity to attract and follow new people in your Twitter network as well.

Live tweeting - a whole new way for introverts to become social animals. - Mike Brown

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Thursday, October 8, 2009

Musings on Creativity + Innovation in Business - Guest Post by Meghan M. Biro

Today's guest blogger, Meghan Biro, Founder of TalentCulture, calls me the most patient person on Twitter. One day earlier in 2009 when back home with my parents, I saw Meghan tweeting with someone in my network, checked out her intriguing profile, and had a short Twitter conversation with her. Not sure if it was then or later, but I asked (maybe begged) her to do a guest post for Brainzooming.

She said she would, and I began my patient waiting. I'd reach out about once a month to see if she was still considering it, and each time she said she was. That was good enough for me!

In the meantime, we've talked by phone, paving the way for another great business relationship initiated on Twitter. So without further delay, here's Meghan's take on creativity + innovation in business (it's well worth the wait!):


We are a generation raised to believe we are creative. Some of us actually are lucky enough to be employed as creatives; the rest of us, who received colored markers and sketchbooks in kindergarten, must look for ways to draw out the sparks of creativity we secretly nurture while working as accountants, engineers, administrators or in other career paths not known for rewarding creativity.

The dirty little secret many people live with is that creativity is not usually rewarded in the workaday world. So how can we nurture creativity in our work? What are the warning signs that someone we work with is trying to sabotage our creativity, and what can we do to counter resistance?

First, let’s look at some quick creativity-boosters.

  • Take time for someone else. The conventional wisdom is to take time for yourself, but turn that around, reach out of yourself and set aside 15 minutes a day to think about someone else, and how they are creative. Contemplate the different point of view this person presents; talk to them and ask questions about what they like, not what they do.
  • Try something really new. Listen to music you think you don’t like. Commit to buying a CD or checking out live music– don’t just download a song - and listen to the whole thing. Sample new sounds and accept the challenge of something you wouldn’t normally choose.
  • Ask a question. Then commit to listening to the answer and allowing what the other person says to influence your thoughts. Too often we have the answer we want to hear formulated before we ask a question.
  • Learn something new every day. Commit to learning – and using – a new word every day. Or read history instead of a novel. Teach yourself to dance. Try something new and expand your perceptions, physical coordination and mental agility.

All of these things can be done easily, and all can make you a more creative person.

But what if you work with someone who seems to suck the creativity out of every situation? You know the signs: this person interrupts others or pushes away from a conference table with crossed arms when they hear something they don't agree with. This person can kill creativity by walking into a room – if you let it happen.

Here are a few ways to work with that person creatively and collaboratively:
  • Look outside your context. Your experience of a person may be that he or she is not creative. Try to look at that person from his or her context – manager, colleague or employee – and open yourself to his or her experience of your comments.
  • Use active listening. Listen to the person speak, restate what they said as a query, and add a comment of your own that brings in a new idea. Open up a closed mind by reassuring the person that you heard them - before you add your comments or ideas.
  • Engage the person by taking the time to learn what he likes, and acknowledging that bit of humanity. Maybe this person reads a lot, or has a beloved dog, or loves to ski. These are cues to that person’s creativity, and acknowledging them gives you an emotional bargaining chip in your next attempt to infuse the workplace with creativity.
  • Work incrementally. Someone who is uncomfortable with creative ideas may respond better to small changes than big, bold ideas. Keep your creative goal in mind but break it down into components and advance your position slowly. It’s worth the effort to see creativity bloom.

Dare to take every action with a spark of creativity and you’ll feed your soul and lift the mood of your workplace. What are your creativity-builders? - Meghan M. Biro

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Thursday, October 1, 2009

The Best Laid Plans Result from Creative Thinking - Guest Post by Sage Bray

I first connected with Sage Bray when she was nice enough to do a tweet pointing her Twitter followers to Brainzooming as a great blog for creative inspiration. Her Twitter name (@aSageInRealLife) and profile were both tremendously intriguing. Sage is involved in a very cool blend of freelance writing, art, and consulting with small businesses and solopreneurs. Her published work has appeared with Inc. Magazine, The Poor Chef, Examiner.com, and a myriad of other online periodicals. She blogs about making a living from creative endeavors on aSageInRealLife.com.

In today's guest blog, Sage shares her perspectives on the benefits of placing creative thinking at the heart of planning:



Creativity isn’t really about random inspiration although it does seem that way sometimes. What it is really about is exploring options. Instead of falling into the “It’s done that way because that’s always how it’s been done” mode of thinking, you step outside the box, break new ground, push the limits, or get radical. Those are acts of true creativity - an essential, but often overlooked, component for a growing, vibrant business.

Even if you ask for innovative thinking from your employees or yourself, it can still be a fairly rare occurrence. That’s because it’s too easy to jump at the first viable idea that comes along. I have a rule: I must come up with an absolute minimum of three solutions to any business problem—although I try for at least 10. This means lots of wacky, crazy ideas which are fun and do result in some really interesting ideas. But it’s having choices that forces me to compare the pros and cons and really analyze what is possible.

For instance, if you want to get the word out about, say, your new casino style gaming site, you may think it’s innovative to start a campaign on Facebook, get fans, and start networking on gaming forums. And you could, and probably should. But what else could you do? There is traditional print advertising, which is becoming the rare thing to do these days. Under certain circumstances though, that could be the best choice to direct your funds, especially if you have a very targeted market. How about getting someone to dress up as Elvis and pass out coupons for free trials at local festivals? Or offer free life-long subscriptions to a couple big entertainment bloggers? Are these viable solutions for your marketing? You may laugh at the idea of some guy dressed up as Elvis promoting your business, but I know several businesses that do exactly that and they have seen significant measurable increases from this kind of promotion. No solution is too crazy - not if it works.

However, being creative and innovative does not mean just doing it differently. It means doing it well, in the best way possible, using the ingenuity you draw from others and from your experiences. Keep up your reservoir of ideas by reading plenty of blogs and newsletters, attending trade shows and local meet-up groups, and brainstorming with colleagues.

Don’t limit your exposure to things related to your specific industry either. You can glean fantastic ideas from both related and unrelated industries by simply asking yourself how their innovative ideas can relate to what you do.

You don’t have to reinvent the wheel (although that sometimes happens) to keep your business growing and flexible. But you do have to be prepared to do things differently and look for creative solutions to even the most common problems. Keep in mind, the objective is to do whatever you do well. Sometimes the answer you need will be something completely ordinary and what you’ve been doing all along. The thing is, you won’t know if it’s the best solution without thinking creatively about it. - Sage Bray

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Thursday, September 24, 2009

Storytelling to Frame Research Reports - Guest Post by Sean Buvala

I'm chairing the American Marketing Association Marketing Research Conference October 4 - 7. It's going to be a great event, with three educational tracks all tied back to theme, "Making Business Sense of What's Next."

Our main programming objective for the conference is providing ideas, tools, and networking to help researchers approach business more broadly and with a clear means to help lead their companies successfully into the future. Through the conference social media effort, you'll be able to track the conference's progress using the hashtag #amamrc on Twitter and on the conference website, where I'll be blogging along with others next week.

To give you an early sense of the conference tone and content, today's guest Brainzooming columnist is presenting a workshop this Sunday at the conference's start. Sean Buvala is an award-winning trainer who teaches businesses and nonprofit organizations how to improve their business results through the power of storytelling. You learn more about his work at www.seantells.net.

In this piece, Sean challenges researchers (and really anyone communicating in business) to better incorporate framing to fully realize the impact of great storytelling.


The more esoteric your work, the more you need storytelling in your job. Those of you in research, I am talking to you.

Sometimes it is hard for others to understand the ins, outs, and mysteries of research. By using the power of storytelling in your communications, you can create "frames" to highlight, carry, and explain bigger concepts.

Every house I have ever been in has place filled with pictures of family and friends. Rather than just glue these pictures to the wall, the pictures are placed in frames that help draw the eye to the subjects within. In the most artistic homes, frames surrounding pictures have been carefully chosen to emphasize the content of the pictures. More important pictures (the "everybody in the family" type) have the most expensive and sturdy frames. Done well, frames are an extension of the pictures.

Just like picture frames in someone's home, framing complicated and important data in the context of a memorable story protects and carries your message to your listeners. Here's an example.

You could talk about the collection methods used to complete a survey and how that proves the validity of the data. However, folks want results first. So, instead of talking first about how the data means you must completely drop an ingrained and "sacred cow" program from your company, you could start with the story of "Jack and the Beanstalk," (JATBS) emphasizing how Jack's mother was furious with Jack for trading her sacred cow for a few magic beans. In the end, however, Jack ends up with a goose that lays golden eggs, giving Jack and his mother more than they ever dreamt.

You'll still present your data, but after you tell your version of JATBS, showing the data that correlates to your conclusion. Then, you might lead a discussion based on the data asking, "Just like the mother in JATBS, what do we fear in what the data tells us? In what ways is this data like magic beans for our company's future?" Finally, end your presentation with a recap of JATBS.

Now, you have framed your data (which is important and needed) in the center of a very familiar and comfortable story. I can assure you the first time you do this you will wade through some discomfort and come out with a presentation that will cement the conclusions into the minds of your listeners.

Here are three things you should know about story and narrative as framing tools:

1. People just want to know, "What's in it for me?"

Co-workers aren't as interested in you job's mechanics as you are. I know you have gone to school to learn how statistics work. However, the people you work with haven't. For most of them, how you collected the data is not nearly as important as what the data means for their work. Storytelling lets you talk about benefits of research, not just mechanics.

2. Stories remind you to speak in the language of the people: your fellow employees.

Although stereotypes of overly detailed researchers may seem unfair, there are those in your company still slightly afraid of you. When they know you will speak understandably, they are more open to hear what you have to say. When you share the story of how others have benefited by what you are proposing, they will feel better about providing tools and time to fulfill your projects. It's far better to talk to others about how Susan at the other office was twice as successful after incorporating research results you reported. In a sense, storytelling allows others to know you are "on their side."

3. Your CFO approves funds for results not information.

Most people hate the process of change. Results are better than promises. Stories are frames that carry results. You will get much more support for a project when folks know how others have benefited from your proposals. How the office across the city became so successful that they now have doubled sales is 100% more effective in getting results than any presentation mired in how the research was conducted.

Your work in research and statistics is vital. Even more vital is your ability to communicate the benefits of your work to the rest of your company. Information framed in the context of story, information carried by understandable narratives, will stick with your fellow staff members much longer than data alone. Take a chance and frame your next presentation in a story. - Sean Buvala


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Tuesday, September 22, 2009

What Did We Learn?

Craig Ferguson ends his Late Late Show program nightly with a brief segment called, "What did we learn on the show tonight Craig?"

For him, it's a regular comedy bit and a time cushion for the program's close where he reflects on specific moments from the show.

For us, it's a valuable question to ask and answer at any inflection point in a project that's in progress. It's a way to force stepping back and looking for broader, more general lessons to add to your personal or business survival toolkit (and potentially share with others).

Consider variations of the question as well. I try to ask myself at the end of each day, "What experiences from today could turn into Brainzooming blog items?" The discipline of asking the question and jotting down (or even tweeting) a few answers helps keep Brainzooming running each weekday.

BTW - If you're on Twitter, there's an effort today to move Craig Ferguson into the top trending topics list. To help, post a tweet that includes this hashtag: #CraigFerguson. For more info, you can check out a video on the effort and help the cause out!

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Thursday, September 17, 2009

Strategic Optimism: Tips for Staying Positive in Any Circumstance - Guest Post by Elissa Shuck

Today's guest post was contributed by Elissa Shuck, another cool innovation, creativity, and improvement connection met through Twitter. Based in the Phoenix metro area, Elissa is CEO and President of ES-STRATEGIC, LLC. With more than 2 decades of multi-dimensional leadership experience, Elissa has made a lifelong commitment to innovation, creativity, and improvement while striving to help other experience personal and organizational excellence.

In her guest Brainzooming post, Elissa makes the case for the daily decision to be optimistic!


Life happens; it can be good, bad or ugly and even the most positive outlook has a lifespan.

We get beat up on the job, in traffic and in relationships – all of which can drain even the most committed of optimists of every ounce of water in that “half full glass." In order to stay positive amid the simplest or most challenging of circumstances, we must consciously and constantly feed our optimistic propensity for it to serve us in times of trouble. A Native American parable calls it feeding the wolf that represents this positive outlook.

Unfortunately, many of us have been feeding the wrong wolf for so long our brains have been conditioned to automatically look for the negative in a situation rather than the positive.

So how do we make a change? We must deliberately choose to “feed” the positive by retraining and renewing our way of thinking.

The good news is our brain physiology supports us in our efforts to make these changes. For instance, cognitive therapy offers some insight on how thoughts, emotions, and behaviors interact and suggests a technique that can be utilized to identify automatic negative thought processes and redirect them toward a new optimistic course. The technique is to not dwell on the negative thoughts when they pop up. Instead, we must stop ourselves at the moment of a negative response and then intentionally refocus our minds toward a better reaction or self-talk message. Practicing the new response by writing it down and reviewing it regularly will help strengthen the newly formed neurological pathway and reinforce the new habit of optimism.

Reading books and listening to speakers encouraging constructive, truthful self-talk can also be a way to condition our minds toward alternative, positive thoughts.

Glasses half full. Clouds with silver linings. Optimism is available to everyone, but it is a daily, moment by moment choice and must be deliberately cultivated. News flash to pessimists: you don’t have to be “realistic” any more. With a little practice and tapping into our natural brain physiology, the habit of thinking positively in any circumstance can happen in no time. - Elissa Shuck ©2009 Elissa Shuck and es-strategic, LLC


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Wednesday, September 16, 2009

Twitter Hashtag Days - #BeOriginal

Joan Koerber-Walker started the #BeOriginal hashtag as a response to all the recycling of old ideas going on in Twitterville. Joan's been a great friend of the Brainzooming blog, offering encouragement and great guest posts - including several extra for a rainy day if I run short on content!

Here are a few thoughts on creativity I've contributed to Joan's #BeOriginal Twitter list:

  • Les Paul guitar. Bo Diddley rhythm. Chuck Berry guitar licks. What have you or I done to create enduring "signatures"? There's a point where a signature element can become a creative rut. But for most of us, we have a long way to go to get to that point. Step 1 is identifying our talents and consistently applying them to develop a creative signature truly our own.

  • Something to strive for: Respecting your critics & seeing the beneficial points in their comments. You'll be better for it. It's not fun to have people criticize your work. But often, your critics are doing more to move you toward creative excellence than your most enthusiastic cheerleaders. You'll be better off if you can realize that and use it to your advantage.

  • It may be even harder to stop self-censoring than to quit censoring others. Cut yourself a creative break! As valuable as your critics can be, the critic inside your own head may be a fatal enemy. Learn to drown out the internal voice thwarting your creative exploration. Remember: creating art requires the ability to never say to yourself, "That's not really art."

And one final #BeOriginal thought born out of a real-life work experience where I was on the receiving end: Don't refuse to smile at someone you think is nobody. It will make it easier when you realize later they are somebody. - Mike Brown

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Tuesday, September 15, 2009

Twitter Hashtag Days - #TwitterTwist

I recently started using the hashtag #TwitterTwist for lessons and ideas inspired by tweets other people made. Here are some of the first of these:

  • Want to expand your perspectives on social media? Try explaining it to someone who isn't active in it. I've done various presentations and one-on-one conversations on social media recently with people who aren't very (if at all) active in it. Having to justify its value and dissect strategies for getting started really forces you to be on top of your game.

  • Read your jargon-filled email/memo/report. If it were written without jargon, how much clearer could it be? Jargon is the bane of modern business speech. Want to get rid of it in your own language? Check out "Why Business People Speak Like Idiots."

  • Don't watch the clock when talking with cherished friends & loved ones. Others things will wait. When you're with the important people in your life, stop the clock. Pay attention to them, not to how much time you're spending or to other things going on around you. They'll appreciate it. And you'll be a better person for it.

  • Recall how often the first time you did something turned out surprisingly well. Get over your apprehensions. This one's a challenge since I spend a lot of planning time thinking about all the bad things needing to be planned around. You too? Let's make a pact to visualize the best possible outcome and make it happen! - Mike Brown


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Monday, September 14, 2009

Twitter Hashtag Days - #StrategyLesson

Hashtags function as keywords on Twitter, making tweets more easily searched and grouped by topic. I've been using various ones lately, and blog pieces the next few days will expand on a few hashtag themes beyond Twitter's 140 character limit.

Today's starts with the #StrategyLesson hashtag I've been applying to tweets recapping strategy observations from the work day:

  • You're right to be suspicious when someone says they want your best thinking, and they want the answer tomorrow morning. Strong strategic thinking takes time. Great strategic thinking tools shorten the time needed and make it much more efficient, but time still paves the way for new possibilities to emerge. Ask for more time.

  • You don't HAVE to do things because of customers or competitors; do the right things for what you want to achieve. Ask, "What matters?" to ensure you're focused on results and not manipulated or bound by expectations - even customer's expectations. Start with the desired result and work backward to set your strategic agenda.

  • A really solid, clear strategy can usually get taken apart, put back in a different order & still make sense. It's hard, but if you think through and hone your strategy to the essentials with each word packing lots of meaning, you can typically start from the broad or the specific and still demonstrate sound logic.

  • You don't have to say everything you know: Mystery = Maneuverability. This is tough for many people, who aim to answer questions thoroughly. Answering a question doesn't mean you have to share everything. Leaving some virtual white space allows you to expand, contract, shift, or redirect without anyone having to know any better.

  • It's possible that your best strategic thinking COULD come over drinks & appetizers at happy hour. Sometimes part of thinking about your strategic opportunity differently simply comes down to thinking about it in an unfamiliar place. Something that worked recently was going to a great happy hour where two of us were able to generate a fantastic list of ideas amid incredible tapas, good wine, and several innovation techniques.

What strategy lessons have you learned this week? Share them in the comments section or on Twitter using the #StrategyLesson hashtag. - Mike Brown


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Thursday, September 10, 2009

Flowers Are Red - Guest Post by John McClung

This week's guest post is from Twitter friend John McClung, who describes himself as having been, "a student, college debater, debate coach, manager, food consultant, builder marketer/home & community designer, and real estate agent with a mission of helping people make good decisions. I love my wife, wine, food, Kentucky basketball and traveling. I am currently working on new twists on food, and interpreting wine tastings on canvas using all appropriate shades of red. " What a variety of interests and activities!

And John's varied interests are further confirmation why it's great to have guests bloggers with varied experiences: his post uses a Harry Chapin song as inspiration. Trust me folks, you'd have never gotten a Harry Chapin-related post from me. Yet, John's take on it is a great example of how we can all try to get back to the creativity children so readily express:

Harry Chapin wrote a song about a young boy starting school, being told that “Flowers are red, and green leaves are green.” His response of seeing “so many colors in the rainbow” and using every one, was not well received and eventually gave way to the teacher’s criticism and philosophy of seeing things “the way they always have been seen.”

Want to be more creative? Let your inner child out.

If you feel that you aren’t as creative as you could be, there is a good chance you are looking at things through the rules and the “no’s” you have received over the years. We tend to apply things we are taught and have experienced to criticize ourselves. It is the self-critique that tends to kill our creativity faster than anything. The young boy above was not looking to criticize: he was in wonder of the possibilities. He wanted to incorporate all that he saw and started out not understanding “the rules.”

When I say “let your inner child out,” I’m suggesting you look at things with wonder. There is the sometimes overused command to think outside the box. I’m suggesting that you understand that there is no box to start. “The box” is an imaginary limit programmed into our psyche by others. Go back to the place where the programming doesn’t exist.

It doesn’t matter what you are trying to create: art, literature, a garden, a business, public policy, or perhaps a new dish for dinner. Look at the possibilities and not the tradition. After all being creative is no more than looking at and doing things in different ways.

Can’t release the inner child? Be evolutionary, not revolutionary.

Let’s face it, most of us are not going to abandon the “traditions,” “rules”, and “deep seated attitudes” about what is and what is not appropriate. Change is hard, and creativity is change others have not thought about.

To be evolutionary, you simply look at what is and ask: How could I change it to be different in a way that works? Here’s an example of how evolutionary change can work.

We have friends who occasionally join us to drink some very nice wines and have dinner. One friend once told me he didn’t like grits. Ever since, grits have been on the menu!

First, they were cooked with chicken stock, cream and finished with smoked Gouda cheese and served as a side dish. The second time, they were used in place of rice, with prosciutto substituting for nori and rolled with pablano, roasted red pepper, and andouille sausage resembling sushi. Finally, I cooked the grits in peach nectar, and rolled with fruit, and served on sauce for dessert.

Each rendition was an evolutionary step leading to a new, no rules variation. Sort of like the little boy who simply saw all the colors of the rainbow and wanted to use every one. So go ahead and release your inner child! - John McClung


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Thursday, September 3, 2009

Upcycling: The Greener Path - Guest Post by Nancy Martini

We've spent time on Brainzooming talking about recycling ideas, yet haven't touched on recycling physical materials. That changes with today's guest post from Nancy Martini. She's an Art Director and EcoArtist (as she's known on Twitter), working with reclaimed materials.

Nancy's currently working on a collection called, “Lessons from the Dinner Table.” All the pieces contain environmental messages translated from simple lessons learned at the table. Her work consists of 95% upcycled materials: plastic bags, soda cans, coat hangers, plastic bottles, bottle caps, foil, wire, cereal boxes, egg cartons, tin cans, and gift wrap tissue. You can see her process through videos on her YouTube channel.

Today, Nancy provides her view on the need for creativity as the concept of upcycling expands:


Reduce, reuse and recycle are three words that haunt me everyday. How can I use less? What can I do to reuse what I already have? And, what more can be recycled? Now, the latest environmentally conscious word “upcycle” has proven to be even more of a challenge. It is easy to understand the process of recycling by means of breaking down a material then using that material to make something new. However, the idea of creating a second life for a package or product from its inception is a complex concept that needs more explaining and exploring.

Ten years ago, you didn’t see many people bringing cloth totes to the grocery store. I remember having to explain my totes repeatedly to cashiers. Sometimes they would even pack my groceries in a paper sack and then put it in my cloth tote. Change does happen, but it takes time and education.

When I see people bringing their own totes to the grocery store now, I can’t help but wonder if they think about all the plastic in their purchases. What happens to the packaging after we use its contents? Recycling should be the last resort, not a justification to buy whatever we want because we can always toss it in the recycle bin.

Recently at the grocery store, the early morning staff was stocking shelves. Each worker had a few garbage bags filled with plastic shrink-wrap and cardboard from unpacking merchandise off wheeled crates. “All the shipping packaging is going to be thrown away,” I was told. Disheartened by this obvious disregard for the environment behind the backs of the consumer, I thought about products and their packaging and pondered:

  • What if containers were designed with an upcycled second life for the packaging so it wouldn’t go to the recycle plant or landfills?

  • What could we build or create with discarded packaging?

  • And, what if we could then change the way food companies produce packaging?

As I continue on my quest to upcycle packaging to create art, I encourage you to think of the possibilities that upcycling brings. I would love to hear your comments - the more creative collaboration, the greener the path. - Nancy Martini

Thursday, August 20, 2009

Radio, Radio - Brainzooming on Hot Talk 1510, Friday, August 21

I'm substitute hosting again for Kelly Scanlon on her Hot Talk 1510 AM "Eye on Small Business" radio show at 9 a.m. CDT Friday, August 21. The topic is "7 Ways to Better Understand Your Customers," and the guest is long-time friend and colleague Barb Murphy, President of Strategic Spark.


We'll discuss ways that small business owners can use both primary and secondary research to identify the changes taking place within their customer bases during these challenging economic times.
You can listen live on the internet, and if you want to tweet a question, use hashtag #kcsmallbiz. I'll try to monitor any questions and incorporate them into the program.


BTW - Barb will also be doing an opening day seminar at the American Marketing Association Market Research conference October 4 - 7, 2009.
I'm chairing the conference, and it's a great opportunity for those involved in the research field to develop professionally, expand your knowledge of new research techniques, and get set for the future.

Register by September 4 to get the early bird rate. And follow the conference on http://twitter.com/amamrc for market research updates from across the web!

Thursday, August 13, 2009

Tapping the Gold Mine of Creativity & Individuality in Your Organization - Guest Post by Marissa Levin

This week's guest post is by Marissa Levin, an award-winning and well-recognized entrepreneur, and founder and CEO of Information Experts. The company creates technology-based integrated communications solutions, human capital strategies, and learning strategies for government agencies and firms in a wide range of vertical markets.

Marissa shares her perspectives here on tapping the incredible creative and innovative talents existing among the diverse group of people inside her company:


How well do you really know your co-workers and employees?

Sure, you see them on a daily basis and know just enough about their personal lives to be dangerous. You may even know what they like for lunch. There's probably a "comfort level" you've established. You've identified some personal boundaries, designating topics acceptable for discussion and those off the table.

But have you ever stopped to consider what defines your co-workers outside their jobs? More importantly, have you ever thought about how these aspects influence our jobs, and what they add to the workplace?

As a CEO focused on company culture, I'm always thinking of ways to maintain a connection with my employees and protect the valuable connections among everyone working here. As organizations grow, it becomes increasingly difficult to achieve this. Employees become more scattered (thanks to telecommuting), are assigned to client sites, and work amid additional layers that develop to ensure adequate management structure.

Adding to these challenges, I am out of the office for appointments, meetings, and networking events. Despite email exchanges and conference calls, it is far too easy to lose the human touch. When I am working "on" the business, it is often difficult to work "in" the business.

I've always known we have incredibly creative, passionate, intelligent, and highly individualized people. We are not a typical organization. We have many out-of-the-box thinkers who display individuality throughout their lives. This uniqueness gives us an edge with our culture and customers.

To find a way to understand and bring all this creativity into the company, I surveyed our employees about what defines them outside work. The results were unbelievable.

Beyond having top-quality instructional designers, project managers, strategists, writers, graphic designers, developers, & human capital experts, we also have scuba divers, college-level volleyball players, swing and belly dancers, scrabble professionals, marathoners, environmentalists, a competitive U.S. Master's swimmer, competitive soccer players, classical pianists, wine enthusiasts, equestrian experts, poker players, gardeners, and chefs.

That's not all - our staff also includes:

  • A certified "High Power Rocketeer" who has launched rockets to 6,000 feet at 550mph
  • Someone who taught welding at a vocational school
  • A four-time Outward Bound participant
  • A Special Operations Sergeant whose unit's experience was the basis for "Blackhawk Down"
  • A two-time patent holder for educational technology who served on Barrack Obama's Education Policy Committee
  • A published physique photographer and bodybuilder known at WOLVERINE

Think about the creative & innovative power of that incredible diversity of skills, interests, and passions. The question now is how to integrate these interests and skills into the company. I hope to celebrate their individuality in some sort of event or create an internal online tool that brings people together based on their interests.

Here's your question: What creativity & individuality is beneath the surface inside your company? Ask around, and you may be in for some surprises of your own! - Marissa Levin
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Monday, August 10, 2009

I'm Mike Brown - Niche Market

I was followed recently on Twitter by @FollowMikeBrown who is carving out "a place to follow all the Mike Browns in the World."

Talk about a focused niche.

Based on the website How Many of Me, there are 32,000 Mike and Michael Browns in the US, with another 1,050 Miguel Brown/Morenos, and 4,000 Michelle Browns. The day he followed me, there were more than 250 Mike Brown's on the list. I'm not sure if any prizes are involved, but I'm definitely intrigued by how things will progress.

So here's a question: How many focused niches can you strategically subdivide your business into successfully & cost-effectively? And can you start an innovative community for your niche that feels as personalized and comfortable as @FollowMikeBrown does for me? - Mike Brown

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Thursday, August 6, 2009

Give Your Workspace a Massive Creative Boost - Guest Post from Andrew Tilling

We have another international guest post this week. Andrew Tilling, from Surrey, UK, is a consultant specialising in creative thinking techniques, team dynamics and leadership. He heads Preseli Partnerships Ltd. which provides providing training, coaching and consultancy to help organisations make a difference.

Andrew is also a founding partner in The Nutshell Project, recognizing the value to be found in personal professional development time away from the demands of the day to day. Based on connecting on Twitter and visiting Andrew's blog, I asked him to share his perspective on the importance of place on creativity:


I have the luckiest job in the world. I am given the freedom to work with people to help them find new ideas, develop those ideas, and get on and make a change in their world. Plus, I get to do this in some beautiful places. It strikes me how much more creative people can be with a change of environment.

And as tempting as it is to write a detailed report on why all businesses should send employees to areas of outstanding natural beauty in order to boost creativity, it's more beneficial to explore what we can do to our own environment to help become more productive – and especially more creative.

The unconscious mind is our creative powerhouse. To help it along we need to understand it's capable of processing a lot more than our conscious mind. A natural, stimulating environment adds fuel to the creative fire. We are fortunate that simple objects can remind us of those environments. Objects help our unconscious access old memories in incredible detail, allowing us to draw on new connections and shifting our state into a more resourceful one.

Here are a few things you can add to your workspace to help you become more creative.

  • Have something natural – Innovators constantly draw on nature for ideas. We are part of nature and only our artificial environments disconnect us from that. Office policy or not on potted plants, you'll want something that grows (or at least grew) in nature to allow you to reconnect.
  • Make time work for you– Have a stop watch or countdown clock you can set for 10 minute bursts of concentration or bookmark a site with a countdown-clock.
  • Something from somewhere special – Remember a time when you felt free from the pressures of daily life? I have a notebook used while travelling that's never far from my desk. It helps unlock creative potential just thinking about it.
  • A picture of a creative genius – We all need a circle of inspiration – alive or dead. Find a picture of someone whose work blows you away. Learn about and talk with them often (in your head, of course, or people will think you are nuts).
  • A picture of a business genius – Someone else for your circle of inspiration. If you can keep in mind the demands of the market place while being creative, you have more chance of your ideas becoming a genuine innovation.
  • Blank paper and 4 color pen – These 'click' pens are awesome for mind-mapping. Shut your laptop lid and find somewhere comfy to sit and doodle.
  • Composition & presentation space – Recognize that finding and presenting an idea are two very different mindsets. Make different spaces for different kinds of work. Even if you can't move from your desk, you change your space internally through listening to different music styles.
  • Water – Drink it, walk by it, have it flowing nearby. Take holidays by it, swim in it, and study it. You are 90% water. A dear writer friend of mine swears by toilet breaks for getting over writers block. Water helps you get into the creative flow on so many levels. Without it, there is not much of you left.
  • An excuse to walk the scenic route – Whether it is walking a dog or feeding stale bread to ducks, get out into nature at least once daily. Walking will allow you to let off steam and clear your head. That beats playing "spot the idea amid all the clutter" and will make you rapidly more productive.
  • A crowded square – People-watching is a great for finding new associations to help your ideas grow. J.K. Rowling wrote Harry Potter in a coffee shop. Snatched snippets of conversations and chance encounters make all the difference – SO LONG AS YOU STOP TO LOOK AND LISTEN. Invest the time, and you will reap rewards.
  • Join the conversation – Social media is a constant source of inspiration nowadays. Just keep your objective in mind as you set your countdown clock and do a 10 minute resource harvest. Later, make sure you post something you learned in return to keep the flow going both ways.

I hope you find these tips to be as much value as I have. I love interaction, so if you have any questions, feel free to comment, get in touch on twitter (@andrewtilling) or check out The Nutshell Project blog. - Andrew Tilling

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Thursday, July 30, 2009

Want to be More Creative? Relive, Reinvent & Really Blow It - Guest Post from Andee Weinfurt

This week's guest post is from Andee Weinfurt, who has one of my favorite Twitter names - HotCupofCopy - reflecting her dual interests in writing and hot caffeine. Andee lives in Weston, MO and is a copywriter for GlynnDevins Advertising & Marketing.

She admittedly relishes the weird / embarrassing / bad moments of life because they lead to great ideas and ultimately, greater creativity. Today, she shares her approach for how to get from crushing to creative!

While I’m always searching for innovative ideas to capture my creativity, my philosophy has never changed: The worse the situation, the greater the potential to create something from it.

Truth be told, my most embarrassing, unpleasant and downright disappointing moments in life have always been the stepping stones for my most creative endeavors. Many of you reading this, I’m sure, can relate. (If not, watch a John Hughes movie or listen to a grunge album from the 90’s.)

Case in point: when I was fired from my first job at sixteen, there initially seemed to be little worth remembering about the experience. Especially since I had to literally melt my tears before I could dry them (I was given the news in the kitchen freezer, to maximize privacy and apparently my humiliation). But everything that made that experience so utterly awful is also what made it a creative diamond in the rough: I wrote about it and years later turned in that essay to a potential employer as part of the interview process for a copywriter position. While I did get the job, it probably doesn’t speak so much to the piece itself as it does to the idea of using it.

Ever since, I’ve been using this go-to guide for capturing creativity, regardless of the ultimate goal:

  1. Relive: Draw upon a bad experience. An embarrassing moment, an unfair outcome, anything is fair game. These experiences make us who we are, and who we are is unique (the most important criteria of creativity).
  2. Reinvent: Take something from the bad experience, and turn it around to work for you. The irony, the humor, the timing — there’s bound to be something you can apply to the challenge at hand.
  3. Really Blow It: Don’t be afraid to put yourself out there. This will inevitably lead to falling flat on your face — and when it does, embrace the moment wholeheartedly. Then you can start the process all over again!

Sometimes the most innovative idea is realizing the value of an old one.

And making lemonade out of lemons? It still works. - Andee Weinfurt


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